國立屏東大學學報:人文社會類  2021/08
第六期 (Vol.6)     1-28
 
富貴園林與紙上故鄉,李德裕的平泉莊書寫  
Li Deyu's Pingquan Villa: the Manifestation of Prominence and Nostalgia
呂梅
Lyu Mei
中文摘要
李德裕的平泉莊書寫,指向「富貴園林」和「紙上故鄉」兩個方面。我們藉此見出中晚唐動蕩時局裡,園林空間與黨爭、文學錯綜聯結的獨特意蘊。此意蘊的形成與李德裕本人的獨特身份(牛李黨爭的李黨黨魁)和複雜經歷(兩度拜相又貶死海南)相關,其實質,是一種公(公共政治)與私(私人空間)交通的園林美學與生存哲學。李在平泉書寫中不厭其煩地詳列富貴名物,彼時的「中隱」觀,為此種富貴安逸的存在狀態與書寫方式立法。同時,平泉莊連結起李家父子三代人閒的情感,替換了不可企及而面貌模糊的故鄉,熨帖了李的身體和精神,安放了他為黨爭所累的心,他于居止空間和自然草木裡更加明瞭「止」的內涵。
中文關鍵字李德裕;平泉莊;富貴園林;紙上故鄉

英文摘要
Li Deyu's landscape writings in Pingquan Villa manifest his prominence and wealth as a literati as well as his nostalgia and affection towards his family. We can see the unique implication of the intricate connection between Garden Space and party struggle and literature in the turbulent period of the middle and late Tang Dynasty. The formation of this implication has something to do with Li Deyu's unique identity and his complicated experience as leader of the Li Party, it is kind of a interaction and integration between the Public (public politics) and Private (private space) which was deemed as Li’s landscape aesthetics and survival philosophy. In his writing in Pingquan, Li list the rich and famous things in detail, which showed a deviation from the traditional scholar-hermit context. At the same time, the Pingquan gardens connected the idle emotions of three generations of Li's father and son, replaced the unattainable and faceless hometown, smoothed Li's body and spirit, and laid to rest his heart, which was exhausted by the party struggle, he understood the meaning of "Zhi" more clearly in dwelling space and natural vegetation.
英文關鍵字Li Deyu;Pingquan Villa;Prominence;Nostalgia