【英文摘要】
Through the 1960s and 1970s, we look forward to observing the traveling record of Taiwan and singing style of Taiwanese language films. We can find the innovative and the positive energy in these films, including the introduction and record of Taiwan's real space, and the " star" shape of the heroic image, so that these Taiwanese language films can be popular to Taiwanese at that time. But when the audience accompanied with the protagonist and the lens of the movies, they can’t see the real city, because the films reveals lots of paradoxical atmosphere. So the city has become a contradictory existence, as a confused place where rural youth left countryside to go. I think these Taiwanese language films around 1960s to 1970s inherited the modernity from the Japanese colonial period, but more Strongly conveys the concept to criticize a modern city.
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